Thursday, September 2, 2010
Wednesday, September 1, 2010
Tuesday, August 31, 2010
Monday, August 30, 2010
The Garden Of Earthly Delights
The Garden of Earthly Delights
Hieronymus Bosch (c. 1450–1516)
The triptych is painted in oil and comprises a square middle panel flanked by two rectangular wings that can close over the center as shutters. These outer wings, when folded shut, display a grisaille painting of the earth during the Creation. The three scenes of the inner triptych are probably (but not necessarily) intended to be read chronologically from left to right. The left panel depicts God presenting Adam to Eve, while the central panel is a broad panorama of sexually engaged nude figures, fantastical animals, oversized fruit and hybrid stone formations. The right panel is a hellscape and portrays the torments of damnation.
Art historians and critics frequently interpret the painting as a didactic warning on the perils of life's temptations. However the intricacy of its symbolism, particularly that of the central panel, has led to a wide range of scholarly interpretations over the centuries. 20th-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of paradise lost. American writer Peter S. Beagle describes it as an "erotic derangement that turns us all into voyeurs, a place filled with the intoxicating air of perfect liberty". (read more)
Sunday, August 29, 2010
Be Here Now
My eyes are on fire
My hair is on fire
My skin is on fire
The sky is on fire
The world is on fire
Be The Miracle
Saturday, August 28, 2010
signs of life
The Mowing - Devil
Or, Strange NEWS out of
Hartford - shire
Being a True Relation of a Farmer, who Bargaining
with a Poor Mower, about the Cutting down Three Half
Acres of Oats: upon the Mower's asking too much, the Farmer
swore That the Devil should Mow it rather than He.
And so it fell out, that very Night, the Crop of Oat
shew'd as if it had been all of a flame: but next Morning
appear'd so neatly mow'd by the Devil or some Infernal Spirit,
that no Mortal Man was able to do the like.
Also, How the said Oats ly now in the Field, and the Owner
has not Power to fetch them away.
Liscensed, August 22nd, 1678.
Friday, August 27, 2010
Become Samurai
The Art of Peace
Morihei Ueshiba
One does not need buildings, money, power, or status to practice the Art of Peace. Heaven is right where you are standing, and that is the place to train.
All things, material and spiritual, originate from one source and are related as if they were one family. The past, present, and future are all contained in the life force. The universe emerged and developed from one source, and we evolved through the optimal process of unification and harmonization.
The Art of Peace is medicine for a sick world. There is evil and disorder in the world because people have forgotten that all things emanate from one source. Return to that source and leave behind all self-centered thoughts, petty desires, and anger. Those who are possessed by nothing possess everything. (read more)
Thursday, August 26, 2010
Wednesday, August 25, 2010
Karmic Law

What you put out into the world
comes back to you
How you live your life
determines what kind of life you will have
Tuesday, August 24, 2010
Minamata
W. Eugene Smith
Tomoko Uemura in Her Bath
Minamata, 1972
People who are easily shocked
should be shocked more often
Monday, August 23, 2010
Thou Art God

"I am only an egg"
Stranger in a Strange Land is a best-selling 1961 Hugo Award-winning science fiction novel by Robert A. Heinlein. It tells the story of Valentine Michael Smith, a human raised by Martians on the planet Mars, after his return to Earth in early adulthood. The novel explores his interaction with—and the eventual transformation of—Earth culture. The novel's title refers to the Biblical Book of Exodus. According to Heinlein in Grumbles from the Grave, the novel's working title was The Heretic. Several later editions of the book have promoted it as "The most famous Science Fiction Novel ever written."
When Heinlein first wrote Stranger in a Strange Land, his editors at Putnam required him to drastically cut its original 220,000-word length, and to remove some scenes that might have been considered too shocking at the time. The resulting edited version was, according to Heinlein, 160,067 words. (He joked about sending in the last 67 to the publisher on a postcard.) In 1962, this version received the Hugo Award for the Best Science Fiction Novel of the Year. After Heinlein's death in 1988, his wife Virginia arranged to have the original uncut version of the manuscript published in 1991 by Ace/Putnam. Critics disagree over whether Heinlein's preferred original manuscript is in fact better than the heavily-edited version originally published. There is similar contention over the two versions of Heinlein's Podkayne of Mars.
While initially a success among science fiction readers, over the following six years word-of-mouth caused sales to build, requiring numerous subsequent printings of the first Putnam edition. The novel has never been out of print. Eventually Stranger in a Strange Land became a cult classic, attracting many readers who would not ordinarily read a work of science fiction. The late-1960s counterculture, popularized by the hippie movement, was influenced by its themes of individual liberty, self-responsibility, sexual freedom, and the influence of organized religion on human culture and government, and adopted the book as something of a manifesto.
In 1968, Tim Zell (now Oberon Zell-Ravenheart) and others formed a neo-pagan religious organization called the Church of All Worlds, modeled after the religion founded by the primary characters in the novel. Except for correspondence with Zell (a lengthy letter to Zell appears as a letter to "a Fan" toward the end of the book in Grumbles from the Grave) and a paid subscription to the Church's Green Egg magazine during the 1970s (as Heinlein refused to accept a complimentary subscription), Heinlein had no other connection to the project.
Stranger was written in part as a deliberate attempt to challenge social mores. In the course of the story, Heinlein uses Smith's open-mindedness to reevaluate such institutions as religion, money, monogamy, and the fear of death. Heinlein completed writing it ten years after he had (uncharacteristically) plotted it out in detail. He later wrote, "I had been in no hurry to finish it, as that story could not be published commercially until the public mores changed. I could see them changing and it turned out that I had timed it right."
(read more)
Sunday, August 22, 2010
Saturday, August 21, 2010
Mona Lisa Smile
Among the works created by Leonardo da Vinci in the 1500s is the small portrait known as the Mona Lisa or "la Gioconda", the laughing one. In the present era it is arguably the most famous painting in the world. Its fame rests, in particular, on the elusive smile on the woman's face, its mysterious quality brought about perhaps by the fact that the artist has subtly shadowed the corners of the mouth and eyes so that the exact nature of the smile cannot be determined. The shadowy quality for which the work is renowned came to be called "sfumato" or Leonardo's smoke. Vasari, who is generally thought to have known the painting only by repute, said that "the smile was so pleasing that it seemed divine rather than human; and those who saw it were amazed to find that it was as alive as the original".Other characteristics found in this work are the unadorned dress, in which the eyes and hands have no competition from other details, the dramatic landscape background in which the world seems to be in a state of flux, the subdued colouring and the extremely smooth nature of the painterly technique, employing oils, but laid on much like tempera and blended on the surface so that the brushstrokes are indistinguishable. Vasari expressed the opinion that the manner of painting would make even "the most confident master ... despair and lose heart." The perfect state of preservation and the fact that there is no sign of repair or overpainting is extremely rare in a panel painting of this date. (read more)
Leonardo di ser Piero da Vinci
(April 15, 1452 – May 2, 1519)
Friday, August 20, 2010
Something funny
Clementine Lunar Orbiter
Clementine (officially called the Deep Space Program Science Experiment (DSPSE)) was a joint space project between the Ballistic Missile Defense Organization (BMDO, previously the Strategic Defense Initiative Organization, or SDIO) and NASA. Launched on January 25, 1994, the objective of the mission was to test sensors and spacecraft components under extended exposure to the space environment and to make scientific observations of the Moon and the near-Earth asteroid 1620 Geographos. The Geographos observations were not made due to a malfunction in the spacecraft.
Near side of the moon - (zoom in)
Clementine was launched from Space Launch Complex 4 West at Vandenberg Air Force Base, California using a Titan II launch vehicle. The mission had two phases. After two Earth flybys, lunar insertion was achieved approximately one month after launch. Lunar mapping took place over approximately two months, in two parts. The first part consisted of a five hour elliptical polar orbit with a periapsis of about 400 km at 30 degrees south latitude and an apoapsis of 8300 km. Each orbit consisted of an 80 minute lunar mapping phase near periapsis and 139 minutes of downlink at apoapsis. After one month of mapping the orbit was rotated to a periapsis at 30 degrees north latitude, where it remained for one more month. This allowed global imaging and altimetry coverage from 60° south to 60° north, over a total of 300 orbits.NASA announced on March 5, 1998 that data obtained from Clementine indicated that there is enough water in polar craters of the moon to support a human colony and a rocket fueling station.
(read more)
Clementine image of the far side
If you have even a rudimentary knowledge of aerial photography you can enlarge this image of the far side of the moon and you will begin to see something funny. (see more)Thursday, August 19, 2010
The Buddha

The Buddha's final words were, "All composite things pass away. Strive for your own liberation with diligence."
At his death, the Buddha told his disciples to follow no leader, but to follow his teachings.
Some of the fundamentals of the teachings of Gautama Buddha are:
The Four Noble Truths: that suffering is an ingrained part of existence; that the origin of suffering is craving for sensuality, acquisition of identity, and annihilation, that suffering can be ended; and that following the Noble Eightfold Path is the means to accomplish this.
The Noble Eightfold Path: right understanding, right thought, right speech, right action, right livelihood, right effort, right mindfulness, and right concentration.
Dependent origination: the mind creates suffering as a natural product of a complex process.
Rejection of the infallibility of accepted scripture: Teachings should not be accepted unless they are borne out by our experience and are praised by the wise. See the Kalama Sutta for details.
Anicca (Sanskrit: anitya): That all things that come to be have an end.
Dukkha (Sanskrit: duḥkha): That nothing which comes to be is ultimately satisfying.
Anatta (Sanskrit: anatman): That nothing in the realm of experience can really be said to be "I" or "mine".
Nibbana (Sanskrit: Nirvana): It is possible for sentient beings to realize a dimension of awareness which is totally unconstructed and peaceful, and end all suffering due to the mind's interaction with the conditioned world.
According to tradition, the Buddha emphasized ethics and correct understanding. He questioned the average person's notions of divinity and salvation. He stated that there is no intermediary between mankind and the divine; distant gods are subjected to karma themselves in decaying heavens; and the Buddha is solely a guide and teacher for the sentient beings who must tread the path of Nirvana themselves to attain the spiritual awakening called bodhi and see truth and reality as it is.
The Buddhist system of insight and meditation practice is not believed to have been revealed divinely, but by the understanding of the true nature of the mind, which must be discovered by personally treading a spiritual path guided by the Buddha's teachings.
(read more)
Wednesday, August 18, 2010
In Persuit of Someone Else (You've Lost Yourself)
Have suddenly become unglued.
Waking up, you know that something's missin'
You call for help but no one seems to listen
Inconsolable, you're an ashy shell of what you were
You ask yourself, "How can I go on without her?"
Answers never come . . .
Your answers just won't come
Doesn't help, you don't know who you're askin'
The mirror just won't show you who you are
Empty Reflection sure won't get you far.
Crumbling beneath the pressure of not getting what you wanted -
Does it make you wonder why you want it?
Why do you even want it?
Answers never come
Your answers just won't come
'Till you find out who you're askin'.
Have you forgotten who you are, or have you never known?
How can you benefit from reaping if you don't know what you've sown?
Don't you know you are your own foundation?
There's a life in you that's brimming with creation!
. . . But answers never come
Your answers just won't come
Doesn't help you don't know who you're askin'.
(YOU need to reignite your passion.)
Tuesday, August 17, 2010
Failure
| The Wave, 1971 by the sculptor Sinisca, Vatican Museum. |
What is greatly needed today on all levels of society - in local communities, in cities, in towns, in clubs and indeed in countries and in international affairs are statesmen and stateswomen with imagination, people with dreams and visions that are realizable, practicable, and feasible. But, I suppose, all real change starts at the bottom, in local communities, in our very own families, where we encourage each other to follow our dreams; where we encourage each other that we can make a difference here and now where we are, that as the Bard of Avon once said, that "we are the stuff that dreams are made on," that humankind can redeem itself as well as wreaking sheer havoc, if not possible extinction, upon itself if only it has the courage to dream that things can be different.
I'll finish this wee post with one of my favourite quotations:
Some people see things as they are and say why. I dream things that never were and say why not. Robert Kennedy on his brother JFK; original quote from G.B.Shaw.
Monday, August 16, 2010
Now or Never

"Out, out, brief candle!
Life's but a walking shadow,
a poor player that struts and frets his hour upon the stage
and then is heard no more:
it is a tale told by an idiot,
full of sound and fury,
signifying nothing."
Macbeth
. . .
Heaven...
heaven is a place...
a place where nothing...
nothing ever happens...
Talking Heads
Sunday, August 15, 2010
Saturday, August 14, 2010
WE'RE NOT SO DIFFERENT
"Close your eyes; what do you see?
Do you see what you expect there to be?
It’s more than blood and bone we share.
Reveal your heart, our soul, our mind…
We’re all the same
When you are blind;
Blind to color, beauty, weight and height
There’s more to see than just with sight.
So close your eyes and see what’s there;
You see more blind
Than when you stare
Close your eyes and open your mind…
We’re not so different
When you are blind."
~Allan Odhiambo
Friday, August 13, 2010
What's In A Word?
Is it possible for a "Word" to be inherently bad?
"There is nothing either good or bad, but thinking makes it so".(Hamlet, Act II, Scene II)
SCHLESSINGER: Jade, welcome to the program.
CALLER: Hi, Dr. Laura.
SCHLESSINGER: Hi.
CALLER: I'm having an issue with my husband where I'm starting to grow very resentful of him. I'm black, and he's white. We've been around some of his friends and family members who start making racist comments as if I'm not there or if I'm not black. And my husband ignores those comments, and it hurts my feelings. And he acts like --
SCHLESSINGER: Well, can you give me an example of a racist comment? 'Cause sometimes people are hypersensitive. So tell me what's -- give me two good examples of racist comments.
CALLER: OK. Last night -- good example -- we had a neighbor come over, and this neighbor -- when every time he comes over, it's always a black comment. It's, "Oh, well, how do you black people like doing this?" And, "Do black people really like doing that?" And for a long time, I would ignore it. But last night, I got to the point where it --
SCHLESSINGER: I don't think that's racist.
CALLER: Well, the stereotype --
SCHLESSINGER: I don't think that's racist. No, I think that --
CALLER: [unintelligible]
SCHLESSINGER: No, no, no. I think that's -- well, listen, without giving much thought, a lot of blacks voted for Obama simply 'cause he was half-black. Didn't matter what he was gonna do in office, it was a black thing. You gotta know that. That's not a surprise. Not everything that somebody says -- we had friends over the other day; we got about 35 people here -- the guys who were gonna start playing basketball. I was going to go out and play basketball. My bodyguard and my dear friend is a black man. And I said, "White men can't jump; I want you on my team." That was racist? That was funny.
CALLER: How about the N-word? So, the N-word's been thrown around --
SCHLESSINGER: Black guys use it all the time. Turn on HBO, listen to a black comic, and all you hear is nigger, nigger, nigger.
CALLER: That isn't --
SCHLESSINGER: I don't get it. If anybody without enough melanin says it, it's a horrible thing; but when black people say it, it's affectionate. It's very confusing. Don't hang up, I want to talk to you some more. Don't go away.
I'm Dr. Laura Schlessinger. I'll be right back.
After taking a commercial break, Schlessinger resumed her discussion with the caller:
SCHLESSINGER: I'm Dr. Laura Schlessinger, talking to Jade. What did you think about during the break, by the way?
CALLER: I was a little caught back by the N-word that you spewed out, I have to be honest with you. But my point is, race relations --
SCHLESSINGER: Oh, then I guess you don't watch HBO or listen to any black comedians.
CALLER: But that doesn't make it right. I mean, race is a [unintelligible] --
SCHLESSINGER: My dear, my dear --
CALLER: -- since Obama's been in office --
SCHLESSINGER: -- the point I'm trying to make --
CALLER: -- racism has come to another level that's unacceptable.
SCHLESSINGER: Yeah. We've got a black man as president, and we have more complaining about racism than ever. I mean, I think that's hilarious.
CALLER: But I think, honestly, because there's more white people afraid of a black man taking over the nation.
SCHLESSINGER: They're afraid.
CALLER: If you want to be honest about it [unintelligible]
SCHLESSINGER: Dear, they voted him in. Only 12 percent of the population's black. Whites voted him in.
CALLER: It was the younger generation that did it. It wasn't the older white people who did it.
SCHLESSINGER: Oh, OK.
CALLER: It was the younger generation --
SCHLESSINGER: All right. All right.
CALLER: -- that did it.
SCHLESSINGER: Chip on your shoulder. I can't do much about that.
CALLER: It's not like that.
SCHLESSINGER: Yeah. I think you have too much sensitivity --
CALLER: So it's OK to say "nigger"?
SCHLESSINGER: -- and not enough sense of humor.
CALLER: It's OK to say that word?
SCHLESSINGER: It depends how it's said.
CALLER: Is it OK to say that word? Is it ever OK to say that word?
SCHLESSINGER: It's -- it depends how it's said. Black guys talking to each other seem to think it's OK.
CALLER: But you're not black. They're not black. My husband is white.
SCHLESSINGER: Oh, I see. So, a word is restricted to race. Got it. Can't do much about that.
CALLER: I can't believe someone like you is on the radio spewing out the "nigger" word, and I hope everybody heard it.
SCHLESSINGER: I didn't spew out the "nigger" word.
CALLER: You said, "Nigger, nigger, nigger."
SCHLESSINGER: Right, I said that's what you hear.
CALLER: Everybody heard it.
SCHLESSINGER: Yes, they did.
CALLER: I hope everybody heard it.
SCHLESSINGER: They did, and I'll say it again --
CALLER: So what makes it OK for you to say the word?
SCHLESSINGER: -- nigger, nigger, nigger is what you hear on HB --
CALLER: So what makes it --
SCHLESSINGER: Why don't you let me finish a sentence?
CALLER: OK.
SCHLESSINGER: Don't take things out of context. Don't double N -- NAACP me. Tape the --
CALLER: I know what the NAACP --
SCHLESSINGER: Leave them in context.
CALLER: I know what the N-word means and I know it came from a white person. And I know the white person made it bad.
SCHLESSINGER: All right. Thank you very much. Thank you very much. Can't have this argument. You know what? If you're that hypersensitive about color and don't have a sense of humor, don't marry out of your race. If you're going to marry out of your race, people are going to say, "OK, what do blacks think? What do whites think? What do Jews think? What do Catholics think?" Of course there isn't a one-think per se. But in general there's "think."
And what I just heard from Jade is a lot of what I hear from black-think -- and it's really distressting [sic] and disturbing. And to put it in its context, she said the N-word, and I said, on HBO, listening to black comics, you hear "nigger, nigger, nigger." I didn't call anybody a nigger. Nice try, Jade. Actually, sucky try.
Need a sense of humor, sense of humor -- and answer the question. When somebody says, "What do blacks think?" say, "This is what I think. This is what I read that if you take a poll the majority of blacks think this." Answer the question and discuss the issue. It's like we can't discuss anything without saying there's -isms?
We have to be able to discuss these things. We're people -- goodness gracious me. Ah -- hypersensitivity, OK, which is being bred by black activists. I really thought that once we had a black president, the attempt to demonize whites hating blacks would stop, but it seems to have grown, and I don't get it. Yes, I do. It's all about power. I do get it. It's all about power and that's sad because what should be in power is not power or righteousness to do good -- that should be the greatest power.
(Richard Pryor & George Carlin)
(Bill Cosby - Prejudice)
Thursday, August 12, 2010
Follow The Yellow Brick Road

The Wizard of Oz is a 1939 American musical fantasy film directed primarily by Victor Fleming from a script mostly by Noel Langley, Florence Ryerson and Edgar Allan Woolf, with uncredited contributions by others. It was based on the 1900 novel of the same name by L. Frank Baum, who died twenty years before this film was released. Notable in its use of special effects, use of Technicolor, fantasy storytelling and unusual characters, The Wizard of Oz has become, over the years, one of the best known of all films. Its impact, however, was not nearly as strongly felt at the time of its original release.
Initially, The Wizard of Oz made only a small profit due to its enormous budget, despite largely favorable critical reviews. "Over the Rainbow" won the Academy Award for Best Original Song and the film itself received several Academy Award nominations, including Best Picture.
Telecasts of the film began in 1956, and because of them the film has found a larger audience—its television screenings were once an annual tradition and have re-introduced the film to the public, making The Wizard of Oz one of the most famous films ever made. The Library of Congress named The Wizard of Oz as the most-watched film in history. It is often ranked among the top ten best movies of all-time in various critics' and popular polls, and it has provided many memorable quotes.
In a movie section front page retrospective of The Wizard of Oz, noted San Francisco Chronicle film critic and author Mick LaSalle declared on October 30, 2009 that the film's "entire sequence, from Dorothy's arrival in Oz to her departure on the Yellow brick road, has to be one of the greatest in cinema history — a masterpiece of set design, costuming, choreography, music, lyrics, storytelling and sheer imagination." (read more) (video clip)

Today is the 71st Anniversary of The Wizard of Oz
Wednesday, August 11, 2010
Down The Rabbit Hole

" Twinkle, twinkle, little star...
we just found out what you are..."
If you have a very good 8" telescope
you can see for yourself that we are not alone





