Bob Gymlan

" the snow man lives "

Bigfoot Kills Nine

Bigfoot Kills Nine

White eyed woman

Incredibly Strange

U.S. Special Forces Hunts A Family Of Bigfoot !

i know there are

My mommy said 

there's no such things as monsters,

but I know there are.

Pteranodon

Demon Flyer Pterosaur- Papua New Guinea

Megalodon

Megalodon

Some Folks will Swallow all sorts of Shit

Conspiracy Theory Rock

man himself is the monster

Frankenstein; or, The Modern Prometheus, is a novel written by English author Mary Shelley about eccentric scientist Victor Frankenstein, who creates a grotesque but sentient creature in an unorthodox scientific experiment. Shelley started writing the story when she was eighteen, and the novel was published when she was twenty. The first edition was published anonymously in London in 1818. Shelley's name appears on the second edition, published in France in 1823.

Shelley had travelled through Europe in 1814, journeying along the river Rhine in Germany with a stop in Gernsheim which is just 17 km (10 mi) away from Frankenstein Castle, where two centuries before an alchemist was engaged in experiments. Later, she traveled in the region of Geneva (Switzerland)—where much of the story takes place—and the topics of galvanism and other similar occult ideas were themes of conversation among her companions, particularly her lover and future husband, Percy Shelley. Mary, Percy, Lord Byron, and John Polidori decided to have a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made; her dream later evolved into the story within the novel.

Frankenstein is infused with elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Brian Aldiss has argued that it should be considered the first true science fiction story, because unlike in previous stories with fantastical elements resembling those of later science fiction, the central character "makes a deliberate decision" and "turns to modern experiments in the laboratory" to achieve fantastic results. It has had a considerable influence across literature and popular culture and spawned a complete genre of horror stories, films, and plays.

Since publication of the novel, the name "Frankenstein" is often used to refer to the monster itself, as is done in the stage adaptation by Peggy Webling. This usage is sometimes considered erroneous, but usage commentators regard the monster sense of "Frankenstein" as well-established and an acceptable usage. In the novel, the monster is identified via words such as "creature", "monster", "fiend", "wretch", "vile insect", "daemon", "being", and "it". Speaking to Victor Frankenstein, the monster refers to himself as "the Adam of your labours", and elsewhere as someone who "would have" been "your Adam", but is instead "your fallen angel." (read more)

Mary Shelley

the money monster

fish head

i am fishead

monster

sometimes 

i feel like 

there's a monster 

inside of me

mothman

the money machine

Unbridled capitolism

is a money machine

that will eat you alive!


"The Uprising"

"Capitolism: A Love Story"

Monsters And Brothers - Thoughts on the Death of Osama bin Laden

Osama bin Laden is dead.

A simple statement.  The new reality. 

Osama bin Laden is dead.  The boogie man is no more. 

Who was Osama bin Laden and how can I react?  Was he a monster as so many believe?

There are several sorts of monsters.  Some live in the dark.  You know the type.  They hide in the closet or under your bed – or in the deepest recesses of your mind – until the lights are turned off.  Then you must protect yourself by pulling the covers up over your head and lying very, very still.  These monsters disappear you pull the covers away and confront them directly and you find they were nothing more than creations of your own mind.

Then there are the monsters who are invisible, living among us, unseen.  Child molesters and rapists not yet caught, undiscovered  serial murderers, corrupt and dangerous politicians and cops, more that you can add to the list.  These monsters, unlike the first type are real and they know who they are.  I do not know whether they choose to be monsters or are forced by some inner compulsion  to do their evil deeds.

There is another type of monster, the kind that has no idea that s/he is a monster at all.  The next door neighbour who hates Hindus or Christians or Muslims or Sikhs or Jews is a very naive sort of monster. Perhaps the hatred is directed at black people or  brown people or yellow people or pink (white) people.  (Those called “red” are really brown.)  Maybe the prejudice is aimed at girl children and women, or at men.  Then, of course, there are the xenophobes, those who hate foreigners or indeed strangers of any sort.    For my readers specifically of Indian background, I would include caste prejudice in this unsavoury list.  I suspect that more of us are this sort of monster than would care to admit it.  Perhaps, even I sometimes am a naive monster. 

It is possible for the naive monster to act on her/his prejudices and become a full-blown bigot and a genuine, visible monster.

Then there is the monster who so deeply believes in a cause that s/he will do whatever is necessary to realise that cause.  No matter if civilians are killed by accidents (collateral damage) or on purpose (terrorism).   No matter the damage done because the cause is all.  The end justifies the means.  Was Osama bin Laden this sort of monster?

Or was he the worst sort, the most evil who cynically leads others in a cause – perhaps for power and glory – that he himself had ceased to believe in or had never believed in?

I have no way of knowing which of these monsters he was.

Or perhaps he wasn’t a monster at all.  Perhaps he was a soul who got lost in the swirling changing mass of stuff around us that we call the World or Maya. 

Whatever he was I am not sorry he is dead.  He was a scumbag and I think the world is better off without him.  My entire being, however, is repelled at public celebrations of his death.  I understand them.  I myself felt like celebrating when Indira Gandhi was killed.  I did not celebrate, but that might have been simply because circumstances prevented it.   I was wrong then, as people celebrating now are wrong now. 

However evil and vile his deeds, are we just mouthing platitudes when we say all people are children of the same Parent, whatever name you personally use for the Creator?   I have lost a brother.  A brother who did evil deeds, a brother I am glad to be rid of, a brother I did not love, but a brother nevertheless.   It is at times like this that I find it necessary to deeply examine my own beliefs and I find myself not without hypocrisy.  I know that Indira Gandhi is my sister, but I am not yet ready to feel it. 

John Donne’s immortal lines, which I have heard no one quote at this time, come to my mind.

No man is an island entire of itself; every man 
is a piece of the continent, a part of the main; 
if a clod be washed away by the sea, Europe 
is the less, as well as if a promontory were, as 
well as a manor of thy friends or of thine 
own were; any man's death diminishes me, 
because I am involved in mankind. 
And therefore never send to know for whom 
the bell tolls; it tolls for thee.

I must ask myself how does the death of this man, Osama bin Laden, diminish me.  I am not yet able to answer this.

OSAMA BIN LADEN in 1998

Repoublished from The Road To Khalistan

Godzilla: the nuclear monster

Godzilla (ゴジラ, Gojira?) is a daikaijū, a Japanese movie monster, first appearing in Ishirō Honda's 1954 film Godzilla. Since then, Godzilla has gone on to become a worldwide pop culture icon starring in 28 films produced by Toho Co., Ltd.

With the bombings of Hiroshima and Nagasaki still fresh in the Japanese consciousness, Godzilla was conceived as a monster created by nuclear detonations and a metaphor for nuclear weapons in general. As the film series expanded, the stories took on less serious undertones portraying Godzilla in the role of a hero, while later movies returned to depicting the character as a destructive monster.

Although his origins vary somewhat from film to film, he is always described as a prehistoric creature, who first appeared and attacked Japan at the beginning of the Atomic Age. In particular, mutation due to atomic radiation is presented as an explanation for his size and powers. The most notable of Godzilla's resulting abilities is his atomic breath: a powerful heat ray of fire from his mouth.

Godzilla is one of the most recognizable symbols of Japanese popular culture worldwide and remains an important facet of Japanese films, embodying the kaiju subset of the tokusatsu genre. He has been considered a filmographic metaphor for the United States, as well as an allegory of nuclear weapons in general. The earlier Godzilla films, especially the original, portrayed Godzilla as a frightening, nuclear monster. Godzilla represented the fears that many Japanese held about the nuclear attacks on Hiroshima and Nagasaki, and the possibility of recurrence. (read more) (godzilla trailer) (nuclear boy)