I dream of a Star Trek world. This think tank will focus on creative actions designed to initiate a global paradigm shift towards a world where racism, poverty and war will be a thing of the past.
Du’a Khalil Aswad (دعاء خليل أسود)(c. 1989 – c. April 7, 2007) was a 17-year-old Iraqi Kurd of the Yazidi faith who was stoned to death in an honor killing. It is believed that she was killed around April 7, 2007, but the incident did not come to light until video of the stoning, apparently recorded on a mobile phone, appeared on the Internet. The rumor that the stoning was connected to her alleged conversion to Islam prompted heavy reprisals against Yazidis by Sunni extremists, including the 2007 Mosul massacre.
Aswad was taken to the town square and reports at the time alleged that she was stripped of her clothing down to her undergarments to symbolize that she had dishonored her family and religion. During the stoning, which lasted approximately thirty minutes, Aswad can be seen in the video attempting to sit up and calling for help as the crowd taunts her and repeatedly throws a large chunk of rock or concrete on her head. After her death in the town square, Aswad's body was tied behind a car and dragged through the streets. She was buried with the remains of a dog, allegedly to demonstrate that she was worthless. Eventually, her body was "exhumed and sent to the Medico-Legal Institute in Mosul so that tests could be performed to see whether she had died a virgin, results had then come back that confirm that she was in fact still a virgin." (read more)
The I-35W Mississippi River bridge (officially known as Bridge 9340) was an eight-lane, steel truss arch bridge that carried Interstate 35W across the Mississippi River in Minneapolis, Minnesota, United States. During the evening rush hour on August 1, 2007, it suddenly collapsed, killing 13 people and injuring 145. The bridge was Minnesota's fifth busiest, carrying 140,000 vehicles daily. The NTSB cited a design flaw as the likely cause of the collapse, and asserted that additional weight on the bridge at the time of the collapse contributed to the catastrophic failure.
In the years prior to the collapse, several reports cited problems with the bridge structure. In 1990, the federal government gave the I-35W bridge a rating of "structurally deficient," citing significant corrosion in its bearings. Approximately 75,000 other U.S. bridges had this classification in 2007. According to a 2001 study by the civil engineering department of the University of Minnesota, cracking had been previously discovered in the cross girders at the end of the approach spans. The main trusses connected to these cross girders and resistance to motion at the connection point bearings was leading to unanticipated out-of-plane distortion of the cross girders and subsequent stress cracking. In 2005, the bridge was again rated as "structurally deficient" and in possible need of replacement, according to the U.S. Department of Transportation's National Bridge Inventory database.
Stanley Kubrick (July 26, 1928 – March 7, 1999) was an American film director, writer, producer, and photographer who lived in England during most of the last four decades of his career. Kubrick was noted for the scrupulous care with which he chose his subjects, his slow method of working, the variety of genres he worked in, his technical perfectionism, and his reclusiveness about his films and personal life. He maintained almost complete artistic control, making movies according to his own whims and time constraints, but with the rare advantage of big-studio financial support for all his endeavors.
Kubrick's films are characterized by a formal visual style and meticulous attention to detail—his later films often have elements of surrealism and expressionism that eschews structured linear narrative. His films are repeatedly described as slow and methodical, and are often perceived as a reflection of his obsessive and perfectionist nature. A recurring theme in his films is man's inhumanity to man. While often viewed as expressing an ironic pessimism, a few critics feel his films contain a cautious optimism when viewed more carefully.
The film that first brought him attention to many critics was Paths of Glory, the first of three films of his about the dehumanizing effects of war. Many of his films at first got a lukewarm reception, only to be years later acclaimed as masterpieces that had a seminal influence on many later generations of film-makers. Considered especially groundbreaking was 2001: A Space Odyssey noted for being both one of the most scientifically realistic and visually innovative science-fiction films ever made while maintaining an enigmatic non-linear storyline. He voluntarily withdrew his film A Clockwork Orange from England, after it was accused of inspiring copycat crimes which in turn resulted in threats against Kubrick's family. His films were largely successful at the box-office, although Barry Lyndon performed poorly in the United States. Living authors Anthony Burgess and Stephen King were both unhappy with Kubrick's adaptations of their novels A Clockwork Orange and The Shining respectively, and both authors were engaged with subsequent adaptations. All of Kubrick's films from the mid-1950s to his death except for The Shining were nominated for Oscars, Golden Globes, or BAFTAs. Although he was nominated for an Academy Award as a screenwriter and director on several occasions, his only personal win was for the special effects in 2001: A Space Odyssey.
Even though all of his films, apart from the first two, were adapted from novels or short stories, his works have been described by Jason Ankeny and others as "original and visionary". Although some critics, notably Andrew Sarris and Pauline Kael, frequently disparaged Kubrick's work, Ankeny describes Kubrick as one of the most "universally acclaimed and influential directors of the postwar era" with a "standing unique among the filmmakers of his day."
Godzilla (ゴジラ, Gojira?) is a daikaijū, a Japanese movie monster, first appearing in Ishirō Honda's 1954 film Godzilla. Since then, Godzilla has gone on to become a worldwide pop culture icon starring in 28 films produced by Toho Co., Ltd.
With the bombings of Hiroshima and Nagasaki still fresh in the Japanese consciousness, Godzilla was conceived as a monster created by nuclear detonations and a metaphor for nuclear weapons in general. As the film series expanded, the stories took on less serious undertones portraying Godzilla in the role of a hero, while later movies returned to depicting the character as a destructive monster.
Although his origins vary somewhat from film to film, he is always described as a prehistoric creature, who first appeared and attacked Japan at the beginning of the Atomic Age. In particular, mutation due to atomic radiation is presented as an explanation for his size and powers. The most notable of Godzilla's resulting abilities is his atomic breath: a powerful heat ray of fire from his mouth.
Godzilla is one of the most recognizable symbols of Japanese popular culture worldwide and remains an important facet of Japanese films, embodying the kaiju subset of the tokusatsu genre. He has been considered a filmographic metaphor for the United States, as well as an allegory of nuclear weapons in general. The earlier Godzilla films, especially the original, portrayed Godzilla as a frightening, nuclear monster. Godzilla represented the fears that many Japanese held about the nuclear attacks on Hiroshima and Nagasaki, and the possibility of recurrence. (read more)(godzilla trailer)(nuclear boy)
In rhetoric, loaded language (also known as emotive language or high-inference language) is wording that attempts to influence the listener or reader by appealing to emotion.
Loaded words and phrases have strong emotional overtones or connotations, and evoke strongly positive or negative reactions beyond their literal meaning.
The appeal to emotion is often seen as being in contrast to an appeal to logic and reason.
Emotive arguments and loaded language are particularly persuasive because they prey on the human weakness for acting immediately based upon an emotional response, without such further considered judgment. They are thus suspect, and many people recommend their avoidance in argument and in speech when fairness and impartiality is one of the goals. Weston, for example, admonishes students and writers: "In general, avoid language whose only function is to sway the emotions".
One aspect of loaded language is that loaded words and phrases occur in pairs.
Loaded language is often used by news broadcasters as a propaganda technique.
Psychologist Robert Jay Lifton considers loaded language to be a brainwashing technique: "New words and language are created to explain the new and profound meanings that have been discovered. Existing words are also hijacked and given new and different meaning." (read more)(propaganda)
"You will not surely die," the serpent said to the woman. "For God knows that when you eat of it your eyes will be opened, and you will be like God, knowing good and evil."
Everyone has a stake in ending the war on drugs. Whether you’re a parent concerned about protecting children from drug-related harm, a social justice advocate worried about racially disproportionate incarceration rates, an environmentalist seeking to protect the Amazon rainforest or a fiscally conservative taxpayer you have a stake in ending the drug war. U.S. federal, state and local governments have spent hundreds of billions of dollars trying to make America "drug-free." Yet heroin, cocaine, methamphetamine and other illicit drugs are cheaper, purer and easier to get than ever before. The war on drugs has become a war on families, a war on public health and a war on our constitutional rights.
Many of the problems the drug war purports to resolve are in fact caused by the drug war itself. So-called "drug-related" crime is a direct result of drug prohibition's distortion of immutable laws of supply and demand. Public health problems like HIV and Hepatitis C are all exacerbated by zero tolerance laws that restrict access to clean needles. The drug war is not the promoter of family values that some would have us believe. Children of inmates are at risk of educational failure, joblessness, addiction and delinquency. Drug abuse is bad, but the drug war is worse.
Few public policies have compromised public health and undermined our fundamental civil liberties for so long and to such a degree as the war on drugs. The United States is now the world's largest jailer, imprisoning nearly half a million people for drug offenses alone. That's more people than Western Europe, with a bigger population, incarcerates for all offenses. Roughly 1.5 million people are arrested each year for drug law violations - 40% of them just for marijuana possession. People suffering from cancer, AIDS and other debilitating illnesses are regularly denied access to their medicine or even arrested and prosecuted for using medical marijuana. We can do better. (read more) .................................................................................
The "Rev." Terry Jones displays the height of "Christian Hypocricy".
The "Reverend", head of the Dove World Outreach Church in Gainesville, Fla., plans to burn copies of the Qur'an, the Muslim holy book, on September 11.
Having forgotten, or never known of, the admonitions contained within the Bible against violence, hate and revenge perhaps the "Reverend" can recall the nazi book burnings that led inevitably to the burning of humans, or the cautionary tale from "Fahrenheit 451". But that would require reading.
Heinrich Heine, a German poet in the 19th Century said this now infamous quote, "Where they burn books, they will ultimately also burn people".
"There is nothing either good or bad, but thinking makes it so".(Hamlet, Act II, Scene II)
SCHLESSINGER: Jade, welcome to the program.
CALLER: Hi, Dr. Laura.
SCHLESSINGER: Hi.
CALLER: I'm having an issue with my husband where I'm starting to grow very resentful of him. I'm black, and he's white. We've been around some of his friends and family members who start making racist comments as if I'm not there or if I'm not black. And my husband ignores those comments, and it hurts my feelings. And he acts like --
SCHLESSINGER: Well, can you give me an example of a racist comment? 'Cause sometimes people are hypersensitive. So tell me what's -- give me two good examples of racist comments.
CALLER: OK. Last night -- good example -- we had a neighbor come over, and this neighbor -- when every time he comes over, it's always a black comment. It's, "Oh, well, how do you black people like doing this?" And, "Do black people really like doing that?" And for a long time, I would ignore it. But last night, I got to the point where it --
SCHLESSINGER: I don't think that's racist.
CALLER: Well, the stereotype --
SCHLESSINGER: I don't think that's racist. No, I think that --
CALLER: [unintelligible]
SCHLESSINGER: No, no, no. I think that's -- well, listen, without giving much thought, a lot of blacks voted for Obama simply 'cause he was half-black. Didn't matter what he was gonna do in office, it was a black thing. You gotta know that. That's not a surprise. Not everything that somebody says -- we had friends over the other day; we got about 35 people here -- the guys who were gonna start playing basketball. I was going to go out and play basketball. My bodyguard and my dear friend is a black man. And I said, "White men can't jump; I want you on my team." That was racist? That was funny.
CALLER: How about the N-word? So, the N-word's been thrown around --
SCHLESSINGER: Black guys use it all the time. Turn on HBO, listen to a black comic, and all you hear is nigger, nigger, nigger.
CALLER: That isn't --
SCHLESSINGER: I don't get it. If anybody without enough melanin says it, it's a horrible thing; but when black people say it, it's affectionate. It's very confusing. Don't hang up, I want to talk to you some more. Don't go away.
I'm Dr. Laura Schlessinger. I'll be right back.
After taking a commercial break, Schlessinger resumed her discussion with the caller:
SCHLESSINGER: I'm Dr. Laura Schlessinger, talking to Jade. What did you think about during the break, by the way?
CALLER: I was a little caught back by the N-word that you spewed out, I have to be honest with you. But my point is, race relations --
SCHLESSINGER: Oh, then I guess you don't watch HBO or listen to any black comedians.
CALLER: But that doesn't make it right. I mean, race is a [unintelligible] --
SCHLESSINGER: My dear, my dear --
CALLER: -- since Obama's been in office --
SCHLESSINGER: -- the point I'm trying to make --
CALLER: -- racism has come to another level that's unacceptable.
SCHLESSINGER: Yeah. We've got a black man as president, and we have more complaining about racism than ever. I mean, I think that's hilarious.
CALLER: But I think, honestly, because there's more white people afraid of a black man taking over the nation.
SCHLESSINGER: They're afraid.
CALLER: If you want to be honest about it [unintelligible]
SCHLESSINGER: Dear, they voted him in. Only 12 percent of the population's black. Whites voted him in.
CALLER: It was the younger generation that did it. It wasn't the older white people who did it.
SCHLESSINGER: Oh, OK.
CALLER: It was the younger generation --
SCHLESSINGER: All right. All right.
CALLER: -- that did it.
SCHLESSINGER: Chip on your shoulder. I can't do much about that.
CALLER: It's not like that.
SCHLESSINGER: Yeah. I think you have too much sensitivity --
CALLER: So it's OK to say "nigger"?
SCHLESSINGER: -- and not enough sense of humor.
CALLER: It's OK to say that word?
SCHLESSINGER: It depends how it's said.
CALLER: Is it OK to say that word? Is it ever OK to say that word?
SCHLESSINGER: It's -- it depends how it's said. Black guys talking to each other seem to think it's OK.
CALLER: But you're not black. They're not black. My husband is white.
SCHLESSINGER: Oh, I see. So, a word is restricted to race. Got it. Can't do much about that.
CALLER: I can't believe someone like you is on the radio spewing out the "nigger" word, and I hope everybody heard it.
SCHLESSINGER: I didn't spew out the "nigger" word.
CALLER: You said, "Nigger, nigger, nigger."
SCHLESSINGER: Right, I said that's what you hear.
CALLER: Everybody heard it.
SCHLESSINGER: Yes, they did.
CALLER: I hope everybody heard it.
SCHLESSINGER: They did, and I'll say it again --
CALLER: So what makes it OK for you to say the word?
SCHLESSINGER: -- nigger, nigger, nigger is what you hear on HB --
CALLER: So what makes it --
SCHLESSINGER: Why don't you let me finish a sentence?
CALLER: OK.
SCHLESSINGER: Don't take things out of context. Don't double N -- NAACP me. Tape the --
CALLER: I know what the NAACP --
SCHLESSINGER: Leave them in context.
CALLER: I know what the N-word means and I know it came from a white person. And I know the white person made it bad.
SCHLESSINGER: All right. Thank you very much. Thank you very much. Can't have this argument. You know what? If you're that hypersensitive about color and don't have a sense of humor, don't marry out of your race. If you're going to marry out of your race, people are going to say, "OK, what do blacks think? What do whites think? What do Jews think? What do Catholics think?" Of course there isn't a one-think per se. But in general there's "think."
And what I just heard from Jade is a lot of what I hear from black-think -- and it's really distressting [sic] and disturbing. And to put it in its context, she said the N-word, and I said, on HBO, listening to black comics, you hear "nigger, nigger, nigger." I didn't call anybody a nigger. Nice try, Jade. Actually, sucky try.
Need a sense of humor, sense of humor -- and answer the question. When somebody says, "What do blacks think?" say, "This is what I think. This is what I read that if you take a poll the majority of blacks think this." Answer the question and discuss the issue. It's like we can't discuss anything without saying there's -isms?
We have to be able to discuss these things. We're people -- goodness gracious me. Ah -- hypersensitivity, OK, which is being bred by black activists. I really thought that once we had a black president, the attempt to demonize whites hating blacks would stop, but it seems to have grown, and I don't get it. Yes, I do. It's all about power. I do get it. It's all about power and that's sad because what should be in power is not power or righteousness to do good -- that should be the greatest power.
I remember when I was going to college, I often heard conservatives from the generation before me refer to it as ‘the socialist state university of California’ ..and a typical exchange might go something like this:
“So Bill, what are you doing for your thesis ..?”
“Studying how people can be easily misinformed ..like deceptive advertising, that sort of thing.”
“Oh, so you can devise better methods of propaganda ..”
“No, so we can teach better methods of detecting it ..”
Later, I would discover that they were going around saying: “Hey, did you know Bill is studying to be a propaganda minister.” At first, I took it as a joke ..and laughed it off. Then one day I kind of got the gist of it when someone at work got real pissed and told me how unfair it was: “Even though I didn’t go to college, I have to pay so punks like you can.” And I thought, yeah .. it was part of a land-grant act to set aside state funds for higher education. Later I discovered some people actually believe universities teach communist principles. Why ..? Because, as the name implies, universities teach universal principles, paving the way for a one-world society. And here I thought they were teaching us how to communicate better with other societies. When I look at the wars we’ve been fighting, I realize how easily misinformed I have been.
