Showing posts with label lust. Show all posts
Showing posts with label lust. Show all posts
Friday, October 6, 2017
Bread and Circus
Labels:
games,
government,
history,
hubris,
lust,
mind control,
myopia,
obscene,
philosophy,
police state,
politics,
propaganda,
psychology,
psychopath,
sheep,
tyranny
Monday, May 2, 2016
Tuesday, January 7, 2014
Friday, June 10, 2011
Sunday, May 22, 2011
Saturday, April 23, 2011
7 deadly sins
Thursday, March 24, 2011
Monday, February 14, 2011
Wednesday, January 5, 2011
Sunday, December 26, 2010
Monday, December 13, 2010
Thursday, December 9, 2010
Monday, November 29, 2010
Tuesday, November 16, 2010
Sunday, October 31, 2010
Friday, September 3, 2010
woman
"From woman, man is born; within woman, man is conceived; to woman he is engaged and married. Woman becomes his friend; through woman, the future generations come. When his woman dies, he seeks another woman; to woman he is bound. So why call her bad? From her, kings are born. From woman, woman is born; without woman, there would be no one at all. O Nanak, only the True Lord is without a woman"......Guru Nanak
Monday, August 30, 2010
The Garden Of Earthly Delights
The Garden of Earthly Delights
Hieronymus Bosch (c. 1450–1516)
The triptych is painted in oil and comprises a square middle panel flanked by two rectangular wings that can close over the center as shutters. These outer wings, when folded shut, display a grisaille painting of the earth during the Creation. The three scenes of the inner triptych are probably (but not necessarily) intended to be read chronologically from left to right. The left panel depicts God presenting Adam to Eve, while the central panel is a broad panorama of sexually engaged nude figures, fantastical animals, oversized fruit and hybrid stone formations. The right panel is a hellscape and portrays the torments of damnation.
Art historians and critics frequently interpret the painting as a didactic warning on the perils of life's temptations. However the intricacy of its symbolism, particularly that of the central panel, has led to a wide range of scholarly interpretations over the centuries. 20th-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of paradise lost. American writer Peter S. Beagle describes it as an "erotic derangement that turns us all into voyeurs, a place filled with the intoxicating air of perfect liberty". (read more)
Thursday, August 26, 2010
Sunday, August 22, 2010
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