The Garden of Earthly Delights
Hieronymus Bosch (c. 1450–1516)
The triptych is painted in oil and comprises a square middle panel flanked by two rectangular wings that can close over the center as shutters. These outer wings, when folded shut, display a grisaille painting of the earth during the Creation. The three scenes of the inner triptych are probably (but not necessarily) intended to be read chronologically from left to right. The left panel depicts God presenting Adam to Eve, while the central panel is a broad panorama of sexually engaged nude figures, fantastical animals, oversized fruit and hybrid stone formations. The right panel is a hellscape and portrays the torments of damnation.
Art historians and critics frequently interpret the painting as a didactic warning on the perils of life's temptations. However the intricacy of its symbolism, particularly that of the central panel, has led to a wide range of scholarly interpretations over the centuries. 20th-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of paradise lost. American writer Peter S. Beagle describes it as an "erotic derangement that turns us all into voyeurs, a place filled with the intoxicating air of perfect liberty". (read more)
2 comments:
the cover of my copy (Penguin paperback) of RD Laing's The Politics of Experience and the Bird of Paradise had a detail from this picture, he is judged a bounder these days, and undoubtedly was, still, the idea that we make victims of those we love is not so strange is it?
...we need them for what they give us.
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