Showing posts with label paradigm shift. Show all posts
Showing posts with label paradigm shift. Show all posts
Saturday, December 31, 2016
Sunday, September 4, 2016
economics is a form of brain damage
original post on Facebook
David Suzuki on Economics
David Suzuki on Economics
Geneticist and climate activist David Suzuki explains how conventional economics a form of brain damage in this clip from the 2011 documentary "Surviving Progress." (available on Netflix)
Labels:
climate change,
ecology,
economy,
education,
environment,
paradigm shift,
zeitgeist
Wednesday, August 24, 2016
Tuesday, August 2, 2016
Sunday, November 29, 2015
Thursday, November 12, 2015
Saturday, June 8, 2013
the 99
Workers
of
the
world,
unite
against
the
fascist
corporate
police
state.
IWW
your future
the road to WW3
of
the
world,
unite
against
the
fascist
corporate
police
state.
IWW
your future
the road to WW3
Labels:
art,
equality,
human condition,
love,
paradigm shift,
poverty
Monday, November 12, 2012
Sunday, July 24, 2011
Wednesday, April 20, 2011
Sunday, March 20, 2011
Friday, December 17, 2010
Monday, October 4, 2010
i was
For just a moment...
I forgot who I was
For just a moment...
I was one with the universe
For just a moment...
I was
Wednesday, March 24, 2010
Change The World
My name is Oberon
I started Globalove Think Tank
This is my F-150 pick-up truck
You'll know me when you see me
This is my message to the world
I hope it has some meaning for you
It's time to change the world
Good luck
Thursday, March 4, 2010
It's A Bizarro World
Bizarro is a fictional character that appears in publications published by DC Comics. The character first appeared in Superboy #68 (1958), and was created by writer Otto Binder and artist George Papp.
Debuting in the Silver Age of Comic Books, the character has appeared in both comic books and graphic novels; and other DC Comics-related products such as animated and live-action television series; trading cards; toys and video games.
Bizarro debuted in Superboy #68 (Oct. 1958), writer Otto Binder casting the character as a Frankenstein's monster pastiche that possessed all the powers of Superboy. Shunned for his grotesque appearance, the teen version of Bizarro only appeared in a single comic book story. An adult version, however, followed soon after: debuting in the Superman daily newspaper comic strip, featuring in Episode 105: "The Battle With Bizarro" (Strips 6147-6242 :Aug. 25, 1958 to Dec. 13, 1958). This storyline also introduced the strange speech patterns that became synonymous with the character, with all of Bizarro's comments meaning the opposite - eg. "bad" means "good". The newspaper version also wore a "B" on his chest, as opposed to the distinctive "S".
Writer of the strip Alvin Schwartz stated:
"I was striving, you might say, for that mirror-image, that opposite. And out of a machine which would reveal the negative Superman, came the mirror image, - always remembering that in a mirror everything is reversed...The times were such that one-dimensional characters, your standard superheroes, even in comics, seemed rather simplistic, like paper cut-outs. What was demanded was the full dimensional personality - a figure that carried a shadow, if you like. I was certainly inspired to some degree also by C.G. Jung's archetype of "the shadow" - and Bizarro certainly reflected that, as well." (read more) (click title)
Labels:
anarchy,
indoctrination,
logic,
paradigm shift,
paradox
Wednesday, February 17, 2010
Thursday, January 28, 2010
Sunday, January 3, 2010
"The Great Bird of the Galaxy"
Majel and Gene Roddenberry
Eugene Wesley "Gene" Roddenberry (August 19, 1921 – October 24, 1991) was an American screenwriter, producer and futurist. He created the American science-fiction series Star Trek, an accomplishment for which he was sometimes referred to as the "Great Bird of the Galaxy" due to the show's influence on popular culture. He was one of the first people to have his ashes "buried" in space. Gene Roddenberry has been inducted into the Science Fiction Hall of Fame and has a star on the Hollywood Walk of Fame. He will be inducted into the Academy of Television Arts & Sciences' Hall of Fame in January 2010.
As early as 1960, Gene Roddenberry had drafted a proposal for the science fiction series which would become Star Trek. Although he publicly marketed it as a Western in outer space – a so-called "Wagon Train to the Stars" – he privately told friends that he was actually modeling it on Jonathan Swift's Gulliver's Travels, intending each episode to act on two levels: as a suspenseful adventure story and as a morality tale.
Star Trek stories usually depict the adventures of humans and aliens who serve in the Federation's Starfleet. The protagonists are essentially altruists whose ideals are sometimes only imperfectly applied to the dilemmas presented in the series. The conflicts and political dimensions of Star Trek sometimes represent allegories for contemporary cultural realities: Star Trek: The Original Series addressed issues of the 1960s, just as later spin-offs have reflected issues of their respective decades. Issues depicted in the various series include war and peace, the value of personal loyalty, authoritarianism, imperialism, class warfare, economics, racism, religion, human rights, sexism and feminism, and the role of technology. Roddenberry stated: "[By creating] a new world with new rules, I could make statements about sex, religion, Vietnam, politics, and intercontinental missiles. Indeed, we did make them on Star Trek: we were sending messages and fortunately they all got by the network."
Roddenberry intended the show to have a highly progressive political agenda reflective of the emerging counter-culture of the youth movement, though he was not fully forthcoming to the networks about this. He wanted Star Trek to show mankind what it might develop into, if only it would learn from the lessons of the past, most specifically by ending violence. An extreme example are the Vulcans, who had a very violent past but learned to control their emotions. His efforts were somewhat thwarted by the network's concerns over marketability. For example, they were opposed to Roddenberry's insistence on a racially diverse crew of the Enterprise, against the opposition of the studio.
(read more)
Wednesday, November 11, 2009
The Problems Of Peace
Wednesday, September 23, 2009
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