Sunday, October 12, 2014
a hero of freedom
Tuesday, December 24, 2013
Thursday, August 1, 2013
liberty
"When the people
fear their government,
there is tyranny;
when the government
fears the people,
there is liberty."
Thomas Jefferson
Monday, July 22, 2013
Wednesday, May 23, 2012
Che
Ernesto "Che" Guevara (June 14, 1928 – October 9, 1967), commonly known as el Che or simply Che, was an Argentine Marxist revolutionary, physician, author, intellectual, guerrilla leader, diplomat, and military theorist. A major figure of the Cuban Revolution, his stylized visage has become a ubiquitous countercultural symbol of rebellion and global insignia within popular culture.
As a young medical student, Guevara traveled throughout Latin America and was radically transformed by the endemic poverty and alienation he witnessed. His experiences and observations during these trips led him to conclude that the region's ingrained economic inequalities were an intrinsic result of capitalism, monopolism, neocolonialism, and imperialism, with the only remedy being world revolution. This belief prompted his involvement in Guatemala's social reforms under President Jacobo Arbenz, whose eventual CIA-assisted overthrow solidified Guevara's political ideology. Later, while living in Mexico City, he met Raúl and Fidel Castro, joined their 26th of July Movement, and sailed to Cuba aboard the yacht, Granma, with the intention of overthrowing U.S.-backed Cuban dictator Fulgencio Batista. Guevara soon rose to prominence among the insurgents, was promoted to second-in-command, and played a pivotal role in the victorious two-year guerrilla campaign that deposed the Batista regime.
Following the Cuban Revolution, Guevara performed a number of key roles in the new government. These included reviewing the appeals and firing squads for those convicted as war criminals during the revolutionary tribunals, instituting agrarian land reform as minister of industries, helping spearhead a successful nationwide literacy campaign, serving as both national bank president and instructional director for Cuba’s armed forces, and traversing the globe as a diplomat on behalf of Cuban socialism. Such positions also allowed him to play a central role in training the militia forces who repelled the Bay of Pigs Invasion and bringing the Soviet nuclear-armed ballistic missiles to Cuba which precipitated the 1962 Cuban Missile Crisis. Additionally, he was a prolific writer and diarist, composing a seminal manual on guerrilla warfare, along with a best-selling memoir about his youthful motorcycle journey across South America. Guevara left Cuba in 1965 to foment revolution abroad, first unsuccessfully in Congo-Kinshasa and later in Bolivia, where he was captured by CIA-assisted Bolivian forces and executed.
Guevara remains both a revered and reviled historical figure, polarized in the collective imagination in a multitude of biographies, memoirs, essays, documentaries, songs, and films. As a result of his perceived martyrdom, poetic invocations for class struggle, and desire to create the consciousness of a "new man" driven by moral rather than material incentives; he has evolved into a quintessential icon of various leftist-inspired movements. Time magazine named him one of the 100 most influential people of the 20th century, while an Alberto Korda photograph of him entitled Guerrillero Heroico , was cited by the Maryland Institute College of Art as "the most famous photograph in the world". (read more)
"Guerrillero Heroico"
Che Guevara at the La Coubre memorial service.
Taken by Alberto Korda on March 5, 1960.
Saturday, December 10, 2011
Sunday, June 12, 2011
Tuesday, March 15, 2011
Curt's Page
In a society which is predicated on competition,
and really often the ruthless exploitation of
one human being by another, the profiteering
of other peoples problems, and very often
the creation of problems for the sole
purpose of profiteering, the ruling
ideology will very often justify
that behavior by appeals to some
fundamental and unalterable
human nature. So the myth
in our society is that
people are competitive
by nature and that they
are individualistic
and that they
are selfish.
Saturday, February 12, 2011
the rooster's beak
My perfect Pico de gallo recipe
10-12 tomatoes or two big cans petite diced
2 good sized white onions
fresh cilantro
8-16 serrano peppers
4-8 cloves garlic
two large limes
olive oil
black pepper
sea salt
I like canned tomatoes because they're already chopped, skinned and de-seeded but you can't beat fresh grown tomatoes. Drain the diced tomatoes and salt and pepper to taste. Add the chopped onions, and finely chopped peppers, garlic and a handful of finely chopped cilantro. Drizzle liberally with olive oil and add the juice of two large limes. Mix ingredients and refridgerate for one hour. Enjoy with corn chips, tacos, burritos and guacamole dips.
Sunday, October 17, 2010
morality
"morality"...
is the greatest evil
in the world today...
why?...
because we have forgotten
what is moral.
Friday, July 23, 2010
The Man Of Steel
Superman is a fictional character, a comic book superhero appearing in publications by DC Comics, widely considered to be an American cultural icon. Jerry Siegel and Joe Shuster first created a bald telepathic villain bent on dominating the entire world. He appeared in the short story "The Reign of the Super-Man" from Science Fiction #3, a science fiction fanzine that Siegel published in 1933. Siegel re-wrote the character in 1933 as a hero, bearing little or no resemblance to his villainous namesake, modeling the hero on Douglas Fairbanks Sr. and his bespectacled alter ego, Clark Kent, on Harold Lloyd. The character first appeared in Action Comics #1 (June 1938) and subsequently appeared in various radio serials, television programs, films, newspaper strips, and video games. With the success of his adventures, Superman helped to create the superhero genre and establish its primacy within the American comic book.
An influence on early Superman stories is the context of the Great Depression. The left-leaning perspective of creators Shuster and Siegel is reflected in early storylines. Superman took on the role of social activist, fighting crooked businessmen and politicians and demolishing run-down tenements. This is seen by comics scholar Roger Sabin as a reflection of "the liberal idealism of Franklin Roosevelt's New Deal", with Shuster and Siegel initially portraying Superman as champion to a variety of social causes. In later Superman radio programs the character continued to take on such issues, tackling a version of the KKK in a 1946 broadcast. Siegel and Shuster's status as children of Jewish immigrants is also thought to have influenced their work. Timothy Aaron Pevey has argued that they crafted "an immigrant figure whose desire was to fit into American culture as an American", something which Pevey feels taps into an important aspect of American identity.
Siegel himself noted that the mythic heroes in the traditions of many cultures bore an influence on the character, including Hercules and Samson. The character has also been seen by Scott Bukatman to be "a worthy successor to Lindberg ... (and) also ... like Babe Ruth", and is also representative of the United States dedication to "progress and the 'new'" through his "invulnerable body ... on which history cannot be inscribed." Further, given that Siegel and Shuster were noted fans of pulp science fiction, it has been suggested that another influence may have been Hugo Danner. Danner was the main character of the 1930 novel Gladiator by Philip Wylie, and is possessed of the same powers of the early Superman.
Comics creator and historian Jim Steranko has cited the pulp hero Doc Savage as another likely source of inspiration, noting similarities between Shuster's initial art and contemporary advertisements for Doc Savage: "Initially, Superman was a variation of pulp heavyweight Doc Savage". Steranko argued that the pulps played a major part in shaping the initial concept: "Siegel's Superman concept embodied and amalgamated three separate and distinct themes: the visitor from another planet, the superhuman being and the dual identity. He composed the Superman charisma by exploiting all three elements, and all three contributed equally to the eventual success of the strip. His inspiration, of course, came from the science fiction pulps", identifying another pulp likely to have influenced the pair as being "John W. Campbell's Aarn Munro stories about a descendant of earthmen raised on the planet Jupiter who, because of the planet's dense gravity, is a mental and physical superman on Earth."
Because Siegel and Shuster were both Jewish, some religious commentators and pop-culture scholars such as Rabbi Simcha Weinstein and British novelist Howard Jacobson suggest that Superman's creation was partly influenced by Moses, and other Jewish elements. Superman's Kryptonian name, "Kal-El", resembles the Hebrew words קל-אל, which can be taken to mean "voice of God". The suffix "el", meaning "(of) God" is also found in the name of angels (e.g. Gabriel, Ariel), who are flying humanoid agents of good with superhuman powers. Jewish legends of the Golem have been cited as worthy of comparison, a Golem being a mythical being created to protect and serve the persecuted Jews of 16th century Prague and later revived in popular culture in reference to their suffering at the hands of the Nazis in Europe during the 1930s and 1940s. Superman is often seen as being an analogy for Jesus, being a saviour of humanity.
Whilst the term Superman was initially coined by Friedrich Nietzsche, it is unclear how influential Nietzsche and his ideals were to Siegel and Shuster. Les Daniels has speculated that "Siegel picked up the term from other science fiction writers who had casually employed it", further noting that "his concept is remembered by hundreds of millions who may barely know who Nietzsche is." Others argue that Siegel and Shuster "could not have been unaware of an idea that would dominate Hitler's National Socialism. The concept was certainly well discussed." Yet Jacobson and others point out that in many ways Superman and the Übermensch are polar opposites. Nietzsche envisioned the Übermensch as a man who had transcended the limitations of society, religion, and conventional morality while still being fundamentally human. Superman, although an alien gifted with incredible powers, chooses to honor human moral codes and social mores. Nietzsche envisioned the perfect man as being beyond moral codes; Siegel and Shuster envisioned the perfect man as holding himself to a higher standard of adherence to them.
(read more)
Saturday, May 22, 2010
Monday, April 5, 2010
The Truth
If the Republicans will stop
telling lies about the Democrats,
we will stop telling the truth about them.
Adlai E. Stevenson
Friday, April 2, 2010
Friday, February 19, 2010
Bad Words
From the dictionary......
"Liberal"
[fr.L liberalis, suitable for a freeman, generous, fr. liber free]
1: of, relating to, or based on the liberal arts
2: GENEROUS, BOUNTIFUL, 3: not narrow in opinion or judgement
4: TOLERANT; also: not orthodox, 5: not conservative
also related to liberty and liberate........
maybe it's not such a bad word after all.
Sunday, January 3, 2010
"The Great Bird of the Galaxy"
Majel and Gene Roddenberry
Eugene Wesley "Gene" Roddenberry (August 19, 1921 – October 24, 1991) was an American screenwriter, producer and futurist. He created the American science-fiction series Star Trek, an accomplishment for which he was sometimes referred to as the "Great Bird of the Galaxy" due to the show's influence on popular culture. He was one of the first people to have his ashes "buried" in space. Gene Roddenberry has been inducted into the Science Fiction Hall of Fame and has a star on the Hollywood Walk of Fame. He will be inducted into the Academy of Television Arts & Sciences' Hall of Fame in January 2010.
As early as 1960, Gene Roddenberry had drafted a proposal for the science fiction series which would become Star Trek. Although he publicly marketed it as a Western in outer space – a so-called "Wagon Train to the Stars" – he privately told friends that he was actually modeling it on Jonathan Swift's Gulliver's Travels, intending each episode to act on two levels: as a suspenseful adventure story and as a morality tale.
Star Trek stories usually depict the adventures of humans and aliens who serve in the Federation's Starfleet. The protagonists are essentially altruists whose ideals are sometimes only imperfectly applied to the dilemmas presented in the series. The conflicts and political dimensions of Star Trek sometimes represent allegories for contemporary cultural realities: Star Trek: The Original Series addressed issues of the 1960s, just as later spin-offs have reflected issues of their respective decades. Issues depicted in the various series include war and peace, the value of personal loyalty, authoritarianism, imperialism, class warfare, economics, racism, religion, human rights, sexism and feminism, and the role of technology. Roddenberry stated: "[By creating] a new world with new rules, I could make statements about sex, religion, Vietnam, politics, and intercontinental missiles. Indeed, we did make them on Star Trek: we were sending messages and fortunately they all got by the network."
Roddenberry intended the show to have a highly progressive political agenda reflective of the emerging counter-culture of the youth movement, though he was not fully forthcoming to the networks about this. He wanted Star Trek to show mankind what it might develop into, if only it would learn from the lessons of the past, most specifically by ending violence. An extreme example are the Vulcans, who had a very violent past but learned to control their emotions. His efforts were somewhat thwarted by the network's concerns over marketability. For example, they were opposed to Roddenberry's insistence on a racially diverse crew of the Enterprise, against the opposition of the studio.
(read more)
Tuesday, December 8, 2009
Possibilism
My momma always said,
"Life is like a box of chocolates,
you never know what you're gonna get."
Forrest Gump