Thursday, December 7, 2017
Saturday, June 11, 2016
avenge the things that matter
Thursday, November 19, 2015
Monday, March 9, 2015
fear is the mind killer
Monday, November 24, 2014
things that really matter
Wednesday, September 3, 2014
obey giant
Friday, June 27, 2014
Thursday, April 24, 2014
Thursday, October 3, 2013
Thursday, February 7, 2013
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Thursday, January 3, 2013
Friday, May 18, 2012
Saturday, August 13, 2011
Genjo Koan
"As all things are buddha-dharma, there is delusion and realization, practice, and birth and death, and there are buddhas and sentient beings.
As the myriad things are without an abiding self, there is no delusion, no realization, no buddha, no sentient being, no birth and death.
The buddha way is, basically, leaping clear of the many and the one; thus there are birth and death, delusion and realization, sentient beings and buddhas.
Yet in attachment blossoms fall, and in aversion weeds spread."
• whats more: Genjo Koan
"The depth of the drop is the height of the moon"
Genjo Koan is perhaps the best known section of Eihei Dogen’s masterwork, Shobogenzo (Treasury of the True Dharma Eye).
道元禅師
• Dōgen Zenji (also Dōgen Kigen 道元希玄, or Eihei Dōgen 永平道元, or Koso Joyo Daishi) (19 January 1200 – 22 September 1253) was a Japanese Zen Buddhist teacher born in Kyōto, and the founder of the Sōtō school of Zen in Japan after travelling to China and training under the Chinese Caodong lineage there. Dōgen is known for his extensive writing including the Treasury of the Eye of the True Dharma or Shōbōgenzō, a collection of ninety-five fascicles concerning Buddhist practice and enlightenment.
links / see also
• whats more: Genjo Koan
• whats more: The Ino's Blog: Study Hall - Shobogenzo
"(lit. 'Treasury of the True Dharma Eye') The term Shōbōgenzō has three main usages in Buddhism: (1) It can refer to the essence of the Buddha's realization and teaching, that is, to the Buddha Dharma itself, as viewed from the perspective of Mahayana Buddhism, (2) it is the title of a koan collection with commentaries by Dahui Zonggao, and (3) it is used in the title of two works by Dogen Kigen..."
• Dogen Zengi at Sotoshu
• Shōbōgenzō (@Wikipedia)
• Shobogenzo links (@"Hey Bro! Can You Spare Some Change?") (top of right column)
• whats more: buddha art
• whats more: diamond sutra art
• whats more: dharma wheel art
• whats more: ...about Zen & Buddhism
• whats more: The Ino's Blog: Counting To Nine | Zen Mind, Beginner's Mind
Tuesday, May 24, 2011
One Flew Over the Cuckoo's Nest
Kenneth Elton "Ken" Kesey ( /ˈkiːziː/; September 17, 1935 – November 10, 2001) was an American author, best known for his novel One Flew Over the Cuckoo's Nest (1962), and as a counter-cultural figure who considered himself a link between the Beat Generation of the 1950s and the hippies of the 1960s. "I was too young to be a beatnik, and too old to be a hippie," Kesey said in a 1999 interview with Robert K. Elder.
Kesey attended the University of Oregon's School of Journalism, where he received a degree in speech and communication in 1957, where he was also a brother of Beta Theta Pi. He was awarded a Woodrow Wilson National Fellowship in 1958 to enroll in the creative writing program at Stanford University, which he did the following year. While at Stanford, he studied under Wallace Stegner and began the manuscript that would become One Flew Over the Cuckoo's Nest.
At Stanford in 1959, Kesey volunteered to take part in a CIA-financed study named Project MKULTRA at the Menlo Park Veterans Hospital where he worked as a night aide with Brian Samuels who later became his partner in a trip around California in a Volkswagen. The project studied the effects of psychoactive drugs, particularly LSD, psilocybin, mescaline, cocaine, AMT, and DMT on people. Kesey wrote many detailed accounts of his experiences with these drugs, both during the Project MKULTRA study and in the years of private experimentation that followed. Kesey's role as a medical guinea pig, as well as his stint working at a state veterans' hospital, inspired him to write One Flew Over the Cuckoo's Nest in 1962. The success of this book, as well as the sale of his residence at Stanford, allowed him to move to La Honda, California, in the mountains south of San Francisco. He frequently entertained friends and many others with parties he called "Acid Tests" involving music (such as Kesey's favorite band, The Warlocks, later known as the Grateful Dead), black lights, fluorescent paint, strobes and other "psychedelic" effects, and, of course, LSD. These parties were noted in some of Allen Ginsberg's poems and are also described in Tom Wolfe's The Electric Kool-Aid Acid Test, as well as Hell's Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs by Hunter S. Thompson and Freewheelin Frank, Secretary of the Hell's Angels by Frank Reynolds. (read more)
Saturday, May 14, 2011
Saturday, March 19, 2011
Great Teacher
The Art of Peace begins with you. Work on yourself and your appointed task in the Art of Peace. Everyone has a spirit that can be refined, a body that can be trained in some manner, a suitable path to follow. You are here for no other purpose than to realize your inner divinity and manifest your innate enlightenment. Foster peace in your own life and then apply the Art to all that you encounter.
All things, material and spiritual, originate from one source and are related as if they were one family. The past, present, and future are all contained in the life force. The universe emerged and developed from one source, and we evolved through the optimal process of unification and harmonization.
The Art of Peace is medicine for a sick world. There is evil and disorder in the world because people have forgotten that all things emanate from one source. Return to that source and leave behind all self-centered thoughts, petty desires, and anger. Those who are possessed by nothing possess everything. (read more)
Morihei Ueshiba (植芝 盛平, December 14, 1883 – April 26, 1969) was a famous martial artist and founder of the Japanese martial art of aikido. He is often referred to as "the founder" Kaiso (開祖?) or Ō sensei (大先生/翁先生?), "Great Teacher".
The real birth of Aikido came as the result of three instances of spiritual awakening that Ueshiba experienced. The first happened in 1925, after Ueshiba had defeated a naval officer's bokken (wooden katana) attacks unarmed and without hurting the officer. Ueshiba then walked to his garden and had a spiritual awakening.
"...I felt the universe suddenly quake, and that a golden spirit sprang up from the ground, veiled my body, and changed my body into a golden one. At the same time my body became light. I was able to understand the whispering of the birds, and was clearly aware of the mind of God, the creator of the universe.
At that moment I was enlightened: the source of budo is God's love - the spirit of loving protection for all beings... Budo is not the felling of an opponent by force; nor is it a tool to lead the world to destruction with arms. True Budo is to accept the spirit of the universe, keep the peace of the world, correctly produce, protect and cultivate all beings in nature."
His second experience occurred in 1940 when,
"Around 2am as I was performing misogi, I suddenly forgot all the martial techniques I had ever learned. The techniques of my teachers appeared completely new. Now they were vehicles for the cultivation of life, knowledge, and virtue, not devices to throw people with."
His third experience was in 1942 during the worst fighting of WWII, Ueshiba had a vision of the "Great Spirit of Peace".
"The Way of the Warrior has been misunderstood. It is not a means to kill and destroy others. Those who seek to compete and better one another are making a terrible mistake. To smash, injure, or destroy is the worst thing a human being can do. The real Way of a Warrior is to prevent such slaughter - it is the Art of Peace, the power of love." (read more)
(Morihei Ueshiba in 1935)
Thursday, March 17, 2011
Godzilla: the nuclear monster
Godzilla (ゴジラ, Gojira?) is a daikaijū, a Japanese movie monster, first appearing in Ishirō Honda's 1954 film Godzilla. Since then, Godzilla has gone on to become a worldwide pop culture icon starring in 28 films produced by Toho Co., Ltd.
With the bombings of Hiroshima and Nagasaki still fresh in the Japanese consciousness, Godzilla was conceived as a monster created by nuclear detonations and a metaphor for nuclear weapons in general. As the film series expanded, the stories took on less serious undertones portraying Godzilla in the role of a hero, while later movies returned to depicting the character as a destructive monster.
Although his origins vary somewhat from film to film, he is always described as a prehistoric creature, who first appeared and attacked Japan at the beginning of the Atomic Age. In particular, mutation due to atomic radiation is presented as an explanation for his size and powers. The most notable of Godzilla's resulting abilities is his atomic breath: a powerful heat ray of fire from his mouth.
Godzilla is one of the most recognizable symbols of Japanese popular culture worldwide and remains an important facet of Japanese films, embodying the kaiju subset of the tokusatsu genre. He has been considered a filmographic metaphor for the United States, as well as an allegory of nuclear weapons in general. The earlier Godzilla films, especially the original, portrayed Godzilla as a frightening, nuclear monster. Godzilla represented the fears that many Japanese held about the nuclear attacks on Hiroshima and Nagasaki, and the possibility of recurrence. (read more) (godzilla trailer) (nuclear boy)
Sunday, February 20, 2011
Sunday, February 13, 2011
people power
One Human Family
"Whether we like it or not, we have all been born on this earth as part of one great human family. Rich or poor, educated or uneducated, belonging to one nation or another, to one religion or another, adhering to this ideology or that, ultimately each of us is just a human being like everyone else: we all desire happiness and do not want suffering. Furthermore, each of us has an equal right to pursue these goals.
Today's world requires that we accept the oneness of humanity. In the past, isolated communities could afford to think of one another as fundamentally separate and even existed in total isolation. Nowadays, however, events in one part of the world eventually affect the entire planet. Therefore we have to treat each major local problem as a global concern from the moment it begins. We can no longer invoke the national, racial or ideological barriers that separate us without destructive repercussion. In the context of our new interdependence, considering the interests of others is clearly the best form of self-interest.
I view this fact as a source of hope. The necessity for cooperation can only strengthen mankind, because it helps us recognize that the most secure foundation for the new world order is not simply broader political and economic alliances, but rather each individual's genuine practice of love and compassion. For a better, happier, more stable and civilized future, each of us must develop a sincere, warm-hearted feeling of brother and sisterhood"...Dalai Lama. (read more)